![]() Shivas shows are bombastic, explosive and thoroughly communal live rock & roll experiences and in 15 years as a band, The Shivas have grown tight-knit. “The reality is that shows are our job.” In truth, live shows aren’t just The Shivas job: they are the band’s greatest love. “It forced us to adapt or just quit,” Molyneux says. “We were about to go to SXSW, the following weekend Treefort, and then we were going to open for our friends’ band on a US tour before going to Europe,” Jared Molyneux remembers. For The Shivas, who had recently released a new LP and normally keep a rigorous touring schedule, it was a particularly screeching halt. Thursday, March 24th 10:30p – 11:30p Sonic Temple BlueĮvery working musician has had their life turned upside down by Covid-19. Songs like “All Of My Cryin’,” “Mary, Don’t Go,” and “Year Of The Spider,” pulse with girl-group elegance and punk ferocity. Year Of The Spider, the band’s sixth studio album, rages against death and disease with the power of a thousand angry Ronettes. “I was getting protection from the thing I feared the most.” Plus, she says with a laugh, “Spiders destroy the bullshit bugs. “The symbolism of the spider made a full turn in an interesting way,” she says. The astrologer told her to summon Durga when she felt powerless, a Hindu goddess who holds a weapon in each of her eight arms. “The idea of leaving my family was agonizing - it was torture,” Shaw says. ![]() And then, right as her band was getting invited on big tours with bands like Greta Van Fleet and The Black Keys, her father was diagnosed with cancer. In 2019, a lurking intruder drove Shaw out of the beloved apartment she’d lived in for 14 years. In 2018, the California wildfires in Napa almost caused her parents to evacuate their homes. “It felt like the end of an era,” Shaw says, which began to unravel in 2016 with the tragic Ghost Ship warehouse fire in the Clams’ DIY community in Oakland. Shaw was at an emotional tipping point - willing to try anything - because everything she loved was falling apart. Like, they would drop down and dangle in my face as a baby, or they’d get in my bed.”īut the powerhouse singer-bassist of retro-rock band Shannon & The Clams had bigger fears when she went to an astrologer two years ago. “My mom always told me that they’re drawn to me. “I am terrified of spiders,” says Shannon Shaw. Thursday, March 24th 12:00a – 1:20a Sonic Temple Blue He also intended to perform a live event entitled A Special Night Of Music With Nathaniel Rateliff At The Theatre At Ace Hotel on December 3 but the event was cancelled due to the coronavirus.Wednesday, March 23rd 5:30p – 6:30p Main Stage ![]() Recently Rateliff released a cover of Leonard Cohen’s classic song “ There Is A War” with Kevin Morby and Sam Cohen. This is made clear in the line “Are you worthy of being saved / all your fears and insecurities.” He also states “While redemption seems far away / While I stumble through every day / just set me free / keep running until we learn to find peace.” Lyrically the song is about being redeemed from all of one’s misgivings and whether or not the individual is worthy of redemption. ![]() Throughout the rest of the song vocal harmonies fade in and out before the end of the song when they sing “Just set me free.” During the first “Just set me free” chorus only drums and vocals are heard. Drums enter the song while the acoustic guitar and synthesizer sounds continue. By the end of the verse the sound fades in again with a new evolving synthesizer pad. Rateliff’s lyrics enter the song as the synthesizer sound fades away. The song opens with an ambient organ like synthesizer pad and an acoustic guitar.
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